Past Life Regression: Diana takes us back in time to a lifetime where she met a special love as a child, yet married who her parents wanted to marry. Listen to hear how her views on love were limited by this experience.
Katische Haberfield: Now they are stopping. They are bringing the bubble of white light that you're in back down, to the surface. I'm going to count from three to one. And when I reach one, you'll be on the other side of the white bubble, a destination for today, three moving through the
white light one, be on the other side of it. Now you are in another time in another place. Look around you. Remember that you can speak to me. You are my eyes and ears. It's time for you to engage all of your senses. Look with your mind's eye, feel and know through your energy body. Listen with your spiritual ears.
What is your first impression?
Diana : Peaceful,
Katische Haberfield: Are you inside or outside?
Diana : Outside.
Katische Haberfield: Okay. And is it daytime or nighttime?
Diana : Daytime.
Katische Haberfield: Okay, perfect. What are the first things that you see around you? Or you can sense? Energetically.
Are you in an open space, like a field or a park or a garden?
Are you in a city?
Diana : No, I'm in open space. There's some trees around me and I'm seeing a house a little bit further down.
Katische Haberfield: Okay. What can you hear or smell? Can hear birds? Does it feel like you're in the country?
Diana : Yes.
Katische Haberfield: Okay. And do you have any knowing about the house that's further down? Any recognition?
Diana : Not really.
Katische Haberfield: Okay. Now look down at your feet. What can you see or sense? Do you have shoes on or are barefoot?
Diana : I think on barefoot there's
and leaves around my feet.
Katische Haberfield: Okay. And do your feet look masculine or feminine?
Diana : I look quite young, young feet, I think. Yeah.
Katische Haberfield: Okay. Okay. Now if you're going to imagine what you are wearing right now, what could you imagine?
Diana : Just a nice, simple dress with a, like a little ribbon in the front and a circular collar like, a little circular collar on either side of the ribbon.
Katische Haberfield: Okay. And what colors do you know?
Diana : Maybe blue White.
Katische Haberfield: Is it like a sailors dress?
Diana : No. Not really. No.
Katische Haberfield: No. Okay. And do you have an idea of how old you are?
Diana : I would probably say about eight.
Katische Haberfield: Eight. Okay. And do you have any idea whereabouts in the world you are country city town, anything that comes to your mind is correct.
Diana : It's more like a Town setting
Katische Haberfield: Australia, America, United Kingdom, Germany. Africa
Diana : could be more of a European country, maybe.
Katische Haberfield: Perfect. And are there any letters that come to mind or a name that jumps out to you?
You can remember everything.
Diana : Just got the name. Emily.
Katische Haberfield: Emily. Okay. Perfect. Could you please ask Emily to take a walk towards the house and let us know what Emily is seeing feeling? What is important for us to see about Emily's life right now? And in particular, could you ask Emily to show us other people in her life that are important to us?
Let it unfold before you.
Diana : there's a mother and a father
Katische Haberfield: tell me about them. Describe them in any way that seems fit.
Diana : That's almost like a setting from It looks like it, it looks like country-ish maybe in the mining forties or something a bit like
The, man's wearing overalls and the woman's at a stove.
Katische Haberfield: Okay. And how do you feel about these two people?
Diana : I feel happy to see them.
Katische Haberfield: Does one of the two people feel, make you feel happier than the other? Do you have affection for one more than the other?
Diana : I think maybe the woman.
Katische Haberfield: The woman. Okay. And how would you describe her?
Diana : she's very motherly.
Katische Haberfield: She's like a mother
Diana : and she's got an apron on and she's stirring something.
Katische Haberfield: Okay. At the stove.
And does she seem to be a young mother or a middle-aged mother or she had children older, like
Diana : she's, a young mother. Yeah. Young to middle age.
Katische Haberfield: Okay. And are there any other siblings in this house?
Diana : There might be a baby, but it's just a sense I'm getting, I can't see one.
Katische Haberfield: That's fine. Okay. So I want you to look very closely at your mother's eyes, or if you can't see her eyes, I want you to look at her energy. What does she remind you of? Does she remind you of anybody in your current lifetime?
Diana : She reminds me a bit of my older sister caring and nurturing type.
Katische Haberfield: Okay. And what about your father? Take a look at him. Who does he remind you of.
He may not be familiar. That's okay. It's just, we're looking to see if there is anybody in this lifetime that from a previous lifetime.
Diana : It doesn't really remind me of anyone.
Katische Haberfield: Okay. So your angels and your higher self have brought you here because there's something in this lifetime that you wish to observe that is linked directly to soulmate relationships and in particular romantic relationships right now you're a young child. So I'm thinking that you are either going to meet somebody in this scene that is another child. Perhaps you have a relationship with, or there's something that impacts you from your parents' relationship that impacts you in your current lifetime. So let the scene unfold please, and show us what we need to see today. No matter what it is, give yourself permission to see what you need to see.
Diana : they're just both doing their own thing. There's no kind of real communication between them. The man's like sitting at a table, reading something.
He's got a, like a hat on a, more like a cap. There's it's not that much going on.
Katische Haberfield: that's alright. Just kinda there. So can you. Yourself to please progress this scene forward to later in your lifetime for this particular lifetime. I want you to show us a scene that shows something that is a pattern that is repeating or mirroring across lives into the present life.
We want to see how actions in one life explain or balance out actions in your present life. How do your
Diana : You just you, cut off then, but it, reminds me of it reminds me of when I was younger and in this life. When my mom would be preparing dinner and my dad would just be sitting at the table, reading a paper and there wasn't too much interaction between them.
Katische Haberfield: Okay. And can you progress this scene forward to when you were older in life?
So we can see if you get married or you have a romantic relationship. How does your parents' relationship in this particular lifetime impact upon your lifetime in that life? Do you get married?
Diana : There is like a, young male that I'm still young in the other lifetime. I'm not seeing
myself as older.
Katische Haberfield: Okay, so let's go forward to have a look at this young male. What do we need to learn about him?
Diana : He's pretty cute.
Katische Haberfield: Is he like a good friends or is he like a little boyfriend or?
Diana : Yeah, we're good friends. We hang out together.
Okay. Do you go to school together or your family? Friends? Like from church or some kind of a playgroup?
He just,he just comes to see me. I he's like a bit of an odd, I don't think it's, he's someone I see around very much.
And he comes to see me at my house, like in the garden.
Katische Haberfield: And what do you do? How do you hang out together?
Diana : It's very we just play around the garden and we sit and we talk, I'm mean we're kids.
Katische Haberfield: Yep. Does he bring you happiness?
Diana : Yeah.
Katische Haberfield: And what happens between you two? Do you stay friends for a long time or does he move away or what happens to you two?
Diana : No, we stay friends. We stay friends when we're older, like teenagers. Yeah. As we get older, we're friends as we get older.
Katische Haberfield: And do you go to school together? Like high school together?
Diana : No, it's out in the country, like more of the olden days.
Katische Haberfield: So you are like home skilled by your mum or, is it little church where you go to school at?
Diana : I'm seeing more like a little house on the Prairie setting. That's an era, but he doesn't go to school with me.
Katische Haberfield: Okay.
And back in those days, girls got married very quickly at the end of teenagehood. When you were a teenager, did you have any boyfriends?
Diana : I think he was my boyfriend. He was,
I think he was the one that I that my heart was, for him.
Katische Haberfield: Lovely. And do you know what his name is? I.
Diana : Just got this name, Gerard that I don't know, Gerard.
Katische Haberfield: And have a look at Gerard's energy. Look, if you can see his eyes, look into his eyes, you can remember everything. Have you had a life with Gerard before, either in lives that we haven't visited yet or in your present life? Is he familiar? Soul energy?
Diana : It's very sweet, sweet and gentle.
Katische Haberfield: Do you know him?
Diana : have you met Gerard before? I'm not sure if I've met him in this lifetime.
Katische Haberfield: If he doesn't jump out, then you may not have, you met him in any other lifetimes?
Diana : I'm not sure not getting anything.
Katische Haberfield: That's fine.
Diana : But he feels very he, we, I feel like, yeah, like he's really sweet and it's we're inseparable.
Katische Haberfield: Can you move this forward in time to the end of your teenage years? Let's see what happens as you become a young adult. Do you and Gerard get married?
Diana : I don't think. No.
Katische Haberfield: What happens, Tory? Does he move away or is there something that happens between you two or is there somebody else that needs to come into the scene that we can see?
Diana : I think I might actually marry someone else.
Katische Haberfield: Let's move forward to your wedding day.Tell me what's happening.
Diana : I feel a bit sad on my wedding day.
Katische Haberfield: Why, are you feeling sad?
Diana : So I think I just, I don't wanna get married, I'm feeling like I'm losing my best friend in a way.
Katische Haberfield: Oh, so you wanna just be friends with Gerard, but you are getting married. Is this marriage a marriage of arrangement that your parents have set you up?
Diana : Yeah. It's not somebody I'm it's not someone I'm in love with. No.
Katische Haberfield: Now this person that you're marrying that you're not in love with. Tell me a bit about him.
Diana : He's older.
More a more of a business person, a person, whereas Gerard's more kind of on the land type of person. Working on the land type of person.
Katische Haberfield: And how does Gerard feel about you getting married?
Diana : I think he's pretending to be happy for me. I think he's very sad, but he's pretending
to be happy for me.
Katische Haberfield: So this is a marriage that would set you up that your family wants, cuz it makes sense financially. Make, can you tell if they wouldn't allow you to get married to Gerard?
Diana : I don't think they'd want me to get married to him.
Katische Haberfield: Okay. And have a look at the, energy of this older business person. What's his name?
Diana : Getting like a John, Yep.
Katische Haberfield: Nice sensible name for a businessman.
do you feel like you have to be sensible now that you're getting married? Do you feel like the,
Diana : I feel like I ha I have to be sensible around him. Yeah. Yeah.
Katische Haberfield: So you feel like you can't show your true self, your true wild spirit around him, whereas you can with Gerrard.
Diana : Yeah, exactly. .
Katische Haberfield: And is his energy familiar?
John? Do you recognize his energy?
Diana : He's serious and conservative. He's probably, if I was to compare it to my current, life's probably more like my ex husband. Yeah.
Katische Haberfield: Is it.
Diana : I'm not sure.
Katische Haberfield: No. Feels similar.
Diana : Feels similar, but not, necessarily.
Katische Haberfield: All right. Let's move forward to the next scene in this lifetime. You're married now to John. Let's see, what is the important pattern or repeating pattern that happens in this marriage between you and John that we need to learn about what specifically have we come here to see in this marriage today?
We wanna know any limiting beliefs that you accrued during this marriage about love.
Diana : It's it's funny. I'm getting the same scene as, but now it's me standing at the stove.
Katische Haberfield: Ah, okay.
Diana : Stirring a pot..
Katische Haberfield: Yep.
Diana : And now I'm feeling like there's a little baby. Yeah. A little baby, like in a basket and John's like sitting at a table.
Katische Haberfield: So you're repeating the patterns of your parents' relationship.
Diana : Yeah. Maybe cuz it's something they
Katische Haberfield: wanted or, yep.
And now that you have a baby, is Gerard still in your life as a friend or is he not allowed to be around you anymore?
Diana : He's around in secret. He's always around. He's always is always around. Yeah. We love each other.
Katische Haberfield: And are you having an affair?
Diana : No. No. It's just a really deep, love for each other.
Katische Haberfield: All right. I want you to go now to, unless there is another scene that we need to see, that's pivotable to this relationship that impacts upon limiting beliefs you have about love and marriage, unless isn't that scene. You need to take us to the last day of your life.
If you're at the last day of your life, let me know. And let me know how your spirit leaves your body without any pain or struggle. So I want you to see your death seen, but I don't want you to feel the pain of your death. I just want you to recount it. Like you're a reporter.
Diana : I see. I see myself. Under a it's still that it's the same house when I was a little
Katische Haberfield: girl
Diana : it's where Gerard and I used to meet and I'm on his lap and he is holding me, like I'm lying across him and he's just holding me.
Katische Haberfield: Where's your husband?
Diana : I dunno.
Katische Haberfield: Maybe he died already. Do you know how old you are?
Diana : I think that'd probably be at that time, maybe in my mid to late thirties.
Katische Haberfield: And do you know why you're dying?
Diana : No.
Katische Haberfield: No. Okay. All right now. Let's go and have a look at this life from a life review perspective. Okay. Let's connect with our spirit guide for a brief life review. At this point. I want you to look and see if you can see any point of light near you as your spirit leads, your body.
Allow yourself to feel or pull or be drawn towards that light. Especially a brighter point of light with five moving into a loving wise, light four towards the center. Three feeling light, filling you with peace with two to meet your spirit guide for a life review with one zero now. Your spirit guide is here or your higher self.
Can you see them feel them? Imagine them.
Diana : I can. I can just I can see, a lot of brightness with my eyes closed, like inside my
Katische Haberfield: So I want you to ask in your mind a question for your spirit guides and or higher self, the higher self is often represented by that white light. So I'm thinking it's the higher self. What can this life teach you about soulmates and romantic relationships?
Diana : That all all love is. Love is beautiful and I've had beautiful love in my life. And just some of it was not meant to stay. It's I'm, looking for something much deeper looking for a real deep soul love, which I haven't found. I haven't found that yet. I have found it, but not in the last, not in the last 20 years.
Katische Haberfield: So what we want to do is we want to see what positive actions and interactions that you can reconnect with from this lifetime. I want you to notice all of your thoughts, I'm good enough. I trust myself. I can learn and grow. I want you to notice your feelings of joy, confidence, acceptance, compassions, patience, and generosity.
Are there any negative residues causing blocks that we can heal to do with relationships? Like fear, anxiety, anger, bitterness, regret, worry, doubt or thoughts?
Like relationships only lead to distance. I'm not allowed to marry my soulmate, anything like that that you can heal by letting go releasing any old bonds or vows or coming to peace with any comic residues from this lifetime, the lifetime as the young girl with her friend, Gerard.
Diana : Yeah. I feel like I'm not allowed to marry my soul mate.
Katische Haberfield: So that's a limiting belief. Yep. Anything else?
Diana : Ifeel like I've over forgiven. I haven't been able to be my true self and I've been, pretend I've been pretending to keep the peace and make the other happy.
Again, I go back to U that's when I felt that really, deep bond, that beautiful bond. And he's the one that I feel like has been blocked from it's like our getting together is feel like it's it's, blocked.
Katische Haberfield: So what we need to do now is we need to release. Any limiting beliefs from this lifetime that were accrued as a result of not being allowed to marry Gerard.
Specifically looking at the lifetime that we just saw. So any limiting beliefs, you carried, causes pain. We can understand where this limiting belief of not being able to marry a soulmate came from, but we are not chained to that belief. You are not chained to that belief. You can break that old bond and make new vows.
So I'd like you to say in your mind, or out loud, I release any outdated vows or mental, emotional residues that were blocking or slowing my path to true love.
Diana : Can I say that loud, but I can't remember what you said. That's all right. I release any outdated vows. I release any outdated vows
Katische Haberfield: or mental. Mental emotional residues that were blocking or slowing my path or slowing my path to true love, Okay. If appropriate, you can release a portion of mental and emotional residues now and work towards releasing the rest due to your actions in the coming days and years in relation to this limiting belief.
So say after me, I release at least 50%,
Diana : I release at least 50%
Katische Haberfield: of any outdated vows of any
Diana : outdated
Katische Haberfield: vows or mental, emotional, or spiritual bonds, emotional or
Diana : spiritual
Katische Haberfield: bonds that were blocking my soul's path. that we're
Diana : blocking my soul's path.
Katische Haberfield: Could you please ask your higher self if you're able to increase this to 60%?
Diana : Yes.
Katische Haberfield: Okay. Can we push it up to 70%?
Diana : Yeah.
Katische Haberfield: Yeah. Are we allowed to push it up to 80%?
Okay. So we've, we are releasing 80% of residues and your subconscious mind understands it can resolve and heal past life influences and limiting beliefs regarding being allowed to marry soulmates by breaking the bonds of time right now. And by releasing. Any excessive emotions of grief related to the feelings of not being allowed to marry people who you truly love.
So exhale and say to yourself after me, I release outdated past life influences.
Diana : I release outdated past life influences
Katische Haberfield: affecting my soul's path,
Diana : affecting my soul's path
Katische Haberfield: into the white light of the spirit,
Diana : into the white light of the spirit.
Katische Haberfield: I release outdated past life influences.
Diana : I release outdated past life
Katische Haberfield: influences affecting my path, into the white light of the spirit into the white
Diana : light
Katische Haberfield: of the spirit.
I no longer need to replicate.
I no longer need to replicate my parents' marital relationships.
Diana : My parents' marital
Katische Haberfield: relationships across any lifetime I no longer need to have.
I no longer need to have my parents' relationship. My parents' relationship as
the blueprint for my own romantic relationship.
Diana : As the blueprint for my own romantic
Katische Haberfield: relationship, I break all vows across all lifetimes, where I copied my parents' relationships.
Diana : I break all vows across all lifetimes, where I copied my parents' relationships.
Katische Haberfield: I am my own person.
Diana : I am my own person.
Katische Haberfield: I am in charge of my own heart.
Diana : I am in charge of my own heart.
Katische Haberfield: I decide who I marry.
Diana : I decide who I marry.
Katische Haberfield: I am free to follow my true heart.
Diana : I am free to follow my true heart.
Katische Haberfield: You have done great for now. You can continue to reaffirm positive vows and continue to release outdated vows in the days and years ahead, your mind can begin to prepare itself for the future and the new karmic actions you can take in this life and future lives to release old bonds and create new positive Karmic residues.
That can take you to the next level on your soul's path of a romance that is truly meeting your needs. So I need to understand right now whether your higher self has another lifetime, where we need to go and examine. If you have shared a lifetime with the person that you consider to have a deep connection within this lifetime, your current lifetime, as Diana, please ask your highest soften angels to provide you some kind of inclination, whether we need, whether there is a life that we can go investigate now, and the indication will be shown to you by you starting to feel light.
And as though you are being transported and drifting away into another scene, if there is not a life for us to view, and you have not shared a past life with your current person that we've been talking about as being potentially a soulmate, then you will feel a heaviness and a reluctance to move anywhere.
How do you feel, like you're floating or are you feeling heavy?
Diana: I'm feeling pretty heavy.
Katische Haberfield: Okay. All right. So now please ask your higher self and your angels instead to transport us to another lifetime that is meaningful and beneficial for understanding soul mates and breaking any limiting beliefs that will stop us from experiencing true deep love in this lifetime as Diana.
So allow yourself to feel light, allow yourself to drift away from these scenes, allow yourself to float, feel relaxed, and let's go and find another lifetime for us to examine so we can see how romantic lifetimes, romantic relationships have impacted you today. Let me know when you're there.